A network of bright yellow veins spreads across a dark surface, filmed in timelapse so that hours pass in seconds. The leading edge advances as a broad fan, feeling outward in every direction at once; behind it the fan resolves into a branching web of tubes. Material visibly pulses back and forth inside the thicker veins. Routes that lead nowhere thin out and disappear; routes that lead somewhere thicken.

One cell, no brain — and it still finds the shortest way out of a maze.

Every category you might reach for is wrong, including “colony”.

Physarum is one cell. Somewhere in the course of growing it stopped bothering to build walls between its nuclei, so what spreads across a log — or a petri dish, or a scale model of the Kantō region — is a single continuous bag of cytoplasm with millions of nuclei adrift in it, pulsing.

That pulsing is how it thinks, to the extent that word survives contact with it. Cytoplasm surges back and forth through the veins, faster toward the parts of itself that are finding food and slower toward the parts that are not, and tubes that carry more traffic get thicker while tubes that carry less waste away. Nothing decides this. The rule is local and the network is what the rule leaves behind.

Give it a maze, and the dead ends drain and vanish. Give it oat flakes arranged like the towns around Tokyo, and what grows is close enough to the rail network to be uncomfortable. Give it something bitter to cross, over and over, and it stops flinching — and it can still remember not to flinch after being dried out and brought back.

One rule about tube diameter, running everywhere at once. That is the entire apparatus.


In the running

Openly licensed footage filed on Commons under this organism's name. Nobody has chosen which of these should carry the portrait, and nobody has confirmed they all show the same organism as the label. Both are open questions, and neither is answered by us alone.

Choose the one that should carry Physarum IZ-003 · ~10 min · on Tinkerism →

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No account, and no name unless you give one. What you write is never published — it goes to whoever looks after this museum and nowhere else. A name appears on the credits page only if you tick the box, and never beside what you wrote.